Bach Bibliography Search Result

Series : ^StudMcol$
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Type	List	Title[further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	Theories of Chromatic and Enharmonic Music in late Sixteenth-Century Italy.	StudMcol	10		1980	vii, 179p
	2.	Some Controversial Aspects of the Authenticity School.	StudMcol	108		1989	17-31
	3.	The Rise of the Early Music Movement.	StudMcol	108		1989	3-16
	4.	Conflicting Binary and Ternary Rhythms: From the Theory of Mensural notation to the Music of J. S. Bach.	StudMcol	108		1989	35-64
	5.	The 'Notes Inégales' Revisited.	StudMcol	108		1989	65-76
	6.	Graham Pont's 'Paradigm of Inconsistency' and the Interpretation of Handel's Overtures.	StudMcol	108		1989	77-84
	7.	Interpretation Problems of Ornament Symbols and Two Recent Case Histories: Hans Klotz on Bach, Faye Ferguson on Mozart.	StudMcol	108		1989	121-153
	8.	Bach: Progressive or Conservative and the Authorship of the Goldberg Aria.	StudMcol	108		1989	195-208
	9.	Notes on the Violin Sonatas of Bach and Handel.	StudMcol	108		1989	221-225
	10.	New Essays on Performance Practice.	StudMcol	108		1989	x, 257p
	11.	French harpsichord music of the 17th century. A thematic catalog of the sources with commentary.	StudMcol	11		1979	xlv, 394p
	12.	German Music Theory in the Early 17th Century: The Treatises of Johannes Lippius.	StudMcol	17		1980	265p
	13.	Johann Mattheson's Der vollkommene Capellmeister [1739]: a revised translation with critical commentary.	StudMcol	21		1981	920p
	14.	The Organ Preludes of Johann Sebastian Bach.	StudMcol	27		1980	xi, 261p
	15.	Passacaglio and ciaccona: from guitar music to Italian keyboard variations in the 17th century.	StudMcol	37		1981	xi, 314p
	16.	Changing Aesthetic Views of Instrumental Music in Eighteenth-Century Germany.	StudMcol	42		1981	xxiv, 295p
	17.	The keyboard concertos of Carl Philipp Emanuel Bach.	StudMcol	48		1981	xvii, 360p
	18.	The Cantata in Nuremberg during the seventeenth Century.	StudMcol	56		1982	xii, 536p
	19.	The Use of Baroque Treatises on Musical Performance.	StudMcol	58		1982	1-9, 173-174
	20.	Donington's 'A Performer's Guide to Baroque Music' -- A Review.	StudMcol	58		1982	11-15, 274
	21.	The French 'Inégales', Quantz, and Bach.	StudMcol	58		1982	17-54, 274-285
	22.	An Answer to Donington's Critique.	StudMcol	58		1982	55-58
	23.	External Evidence and Uneven Notes.	StudMcol	58		1982	59-72, 285-288
	24.	The Dotted Note and the So-Called French Style (FN1)	StudMcol	58		1982	73-98, 288-289
	25.	Rhythm in the Two Versions of Bach's French Overture, BWV 831 (FN2).	StudMcol	58		1982	99-110, 289-291
	26.	Facts and Fiction about Overdotting (FN3).	StudMcol	58		1982	111-135, 291-294
	27.	Once More: The 'French Overture Style' (FN4).	StudMcol	58		1982	137-150, 295
	28.	The Overdotting Syndrome: Anatomy of a Delusion (FN5).	StudMcol	58		1982	151-182, 296-300
	29.	Misconceptions About the French Trill in the 17th and 18th Centuries.	StudMcol	58		1982	183-196, 300-304
	30.	A New Look at Bach's Ornamentation.	StudMcol	58		1982	197-215, 304-305
	31.	Notes on 'Melodic' and 'Harmonic' Ornaments.	StudMcol	58		1982	217-225, 305-306
	32.	Couperin and the Downbeat Doctrine for Appoggiaturas.	StudMcol	58		1982	227-241, 306-309
	33.	Ornament and Structure.	StudMcol	58		1982	243-250, 309-310
	34.	Essays in Performance Practice.	StudMcol	58		1982	xii, 321p
	35.	Dr. Burney as critic and historian of music.	StudMcol	62		1983	xiv, 381p
	36.	A History of Key Characteristics in the 18th and early 19th centuries.	StudMcol	67		1983	xii, 396p
	37.	J. S. Bach's Impact on the World Around Him.	StudMcol	73		1985	1-18
	38.	Sebastian Bach's Survival in the Age of Rationalism.	StudMcol	73		1985	19-50
	39.	J. S. Bach and the Church Music of the Age of Rationalism: A Style-Critical Comparison of Bach's St. Matthew Passion and C. H. Graun's Tod Jesu.	StudMcol	73		1985	51-66
	40.	Johann Sebastian Bach in the Early Romantic Period.	StudMcol	73		1985	67-110
	41.	BWV 131: Bach's First Cantata (1970).	StudMcol	73		1985	127-148
	42.	Toward a New Image of Bach (1970/71).	StudMcol	73		1985	149-186
	43.	The Performance History of Bach's B Minor Mass (1973).	StudMcol	73		1985	187-204
	44.	Thoughts on the First Movement of Johann Sebastian Bach's Cantata No.77 (1974).	StudMcol	73		1985	205-220
	45.	Lombard Rhythm in the Domine Deus of Bach's B Minor Mass (1974)	StudMcol	73		1985	221-229
	46.	Lombard Rhythm in Bach's Vocal Music (1978).	StudMcol	73		1985	233-268
	47.	Essays on J. S. Bach.	StudMcol	73		1985	xxxi, 276p
	48.	The Instrumental Music of Carl Philipp Emanuel Bach.	StudMcol	77		1984	192p
	49.	Style and Structure in the Praeludia of Dietrich Buxtehude.	StudMcol	82		1985	vi, 349p
	50.	Thorough-Bass Accompaniment According to Johann David Heinichen.	StudMcol	84		1986	xvi, 462p
	51.	The performance of the basso continuo in Italian Baroque music.	StudMcol	90		1987	180p
	52.	The Authentification of the Hand-Penned Material in Bach's Calov Bible.	StudMcol	92		1985	3-11
	53.	A Literary Analysis of the Intelligible Entries from the Total Sample.	StudMcol	92		1985	12-30
	54.	Proton Milloprobe Analysis of the Hand-Penned Annotations in Bach's Calov Bible.	StudMcol	92		1985	31-106
	55.	The Calov Bible of J. S. Bach.	StudMcol	92		1985	x, 460p